vendredi 11 octobre 2013

un musée en hommage au chanteur culte Müslüm Baba» ouvre ses portes à Sanliurfa

Sanliurfa - Anadolu Agency

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Le musée a ouvert le 5 octobre expositions tout ce qui touche à la chanteuse grandement manqué - à partir de ses cassettes et disques vinyles à ses instruments, textes manuscrits et même des vêtements.  AA photo
Le musée a ouvert le 5 octobre expositions tout ce qui touche à la chanteuse grandement manqué - à partir de ses cassettes et disques vinyles à ses instruments, textes manuscrits et même des vêtements. AA photo
Late "arabesque" folk singer Müslüm Gürses atteint le statut d'un musicien de culte avec des masses de fans dévoués.Maintenant, un peu plus de sept mois après sa mort, la vie du chanteur qui a été affectueusement appelé «Müslüm Baba" - en partie pour la grandeur de l'amour qu'il a engendré parmi ses fans désormais orphelins et en partie à cause de ses manières - feront partie des annales de l'histoire, avec un hommage rare:. Un nouveau musée dans sa ville natale de Sanliurfa consacré à sa carrière artistique Le "Müslüm Gürses Museum" a été inauguré le 5 octobre à Sanliurfa en présence de sa veuve, Nur Muhterem, et du ministre de la Sécurité sociale et du travail Faruk Çelik, qui représentait le gouvernement. L'éventail des galeries, construit dans une ancienne maison en pierre, pièce tout ce qui touche à la chanteuse grandement manqué -. partir de ses cassettes et disques vinyles à ses instruments, textes manuscrits et même des vêtements Nur , une ancienne actrice considérée comme la muse du musicien, a dit qu'il était très utile d'ouvrir un musée à Sanliurfa. "[Gürses]it des plans pour s'installer dans Şanlıurfa avant sa mort," dit-elle. Gürses sont morts à 59 ans le 1er Mars après une longue période de convalescence déclenchée par une insuffisance cardiaque et pulmonaire suite à une chirurgie de pontage.  Sa vie était l'un des prodigalité musical et l'intensité de ses chansons hypnotisé des générations de jeunes souffrant de chagrin.fans auront désormais un nouveau sanctuaire pour divertir leur admiration pour "Müslüm Baba" et de prendre un peu de réconfort après sa mort, peut-être en entonnant dos ses propres paroles: «Avec souvenirs , je vous ai écrit sur ​​mon coeur ". 

les Musées turcs resteront ouvert pendant les vacances

ANKARA - Anadolu Agency

Les musées de la Turquie et des zones archéologiques seront ouverts pendant la fête de vacances du sacrifice. Cette année, un total de 189 musées et 131 sites archéologiques sera ouverte dès le premier jour de la semaine de vacances, selon une déclaration écrite envoyée par le ministère

L'état de la Turquie et de musées privés seront ouverts pendant la Fête de la semaine de vacances du sacrifice.
L'état de la Turquie et de musées privés seront ouverts pendant la Fête de la semaine de vacances du sacrifice.
Tous les musées qui font partie de la culture et du tourisme du ministère sera ouvert pendant la fête de vacances du sacrifice. Cette année, un total de 189 musées et 131 sites archéologiques restera ouverte, selon une déclaration écrite envoyée par le ministère, qui a déclaré que «tout le monde aurait la chance de visiter les événements d'art et de culture" en raison du mouvement. L'année dernière, les sites les plus visités au cours de la Fête de vacances du sacrifice étaient le musée Sainte-Sophie et le palais de Topkapi. Le musée de Mevlana, le palais de Topkapi, laAntalya Noel Baba, le Musée archéologique d'Istanbul, le Musée Hacıbektaş, le Ankara Musée des civilisations anatoliennes et le Musée Cumhuriyet étaient parmi les musées les plus visités au cours de fête de vacances du sacrifice ainsi.musées privés ouverts Parmi zones archéologiques İzmir Efes, Denizli Hiérapolis et Nevsehir Göreme étaient le plus visité l'année dernière pendant les vacances. D'autre part, tandis que les galeries d'art seront fermées, les musées privés seront ouverts pendant la fête de vacances du sacrifice. Borusan contemporain présente actuellement deux expositions à son bureau de musée "Perili Köşk" (Haunted Mansion), parallèle à la 13ème Biennale d'Istanbul. L'exposition personnelle de Rafael Lozano-Hemmer, intitulé «Breathing Vicious circulaire et Segment # 4", une sélection de la Borusan collection d'art contemporain, est actuellement exposé. artiste exposition de Lozano-Hemmer de renommée internationale, vise à explorer la nature très personnelle, émotionnellement évocateur d' son travail qui a été réalisé avec les technologies les hautes et basses, y compris les capteurs biométriques, projection, logiciels sur mesure, et la mécanique moteur, sans parler de l'air, des sacs en papier et des personnes. Son travail de «respiration circulaire vicieux", dont l'exposition tire son nom, est un nouveau travail spécial commandé par la collection d'art contemporain Borusan qui est présenté pour la première fois dans le cadre de cette exposition solo. Plusieurs des installations de Lozano-Hemmer comprendre l'utilisation de mots et de phrases particulières à ajouter un sens supplémentaire à l'installation. Ces textes sont utilisés pour élaborer une signification plus profonde qui implique le spectateur et leurs actions afin d'influer sur l'atmosphère et la perception. Certaines des installations à base de texte, comme «troisième personne» et «Public Sous-titré,« Mettre des mots sur le sujet lui-même. Le caractère aléatoire des textes laisse le spectateur avec un sentiment d'impuissance, car ils n'ont aucun contrôle sur ce qu'ils sont étiqueté comme, de sorte qu'ils éprouvent les connotations agréables et pas si agréable qui sont associés avec les mots qui leur sont imposées. Les installations basées sur des textes tels que «33 Questions Per Minute" et "il n'y a pas d'entreprise pas comme les affaires» doivent compter sur la volonté du spectateur à participer. Istanbul Modern sera également ouvert pendant la fête de vacances de sacrifice autre que le premier de la fête . Les visiteurs auront la chance de visiter le Erol d'exposition Akyavas «Rétrospective», un inventaire complet de l'œuvre de l'artiste qui s'étend sur un demi-siècle de 1950 à la fin des années 1990. D'autre part, la nouvelle exposition "Past and Future" s'inspire de la collection permanente du musée de mettre en évidence le lien historique avec le passé que les musées d'art ériger en lieux de mémoire et de leur rôle dans l'élaboration de l'avenir de leur engagement à la collecte et la conservation des œuvres de l'art. Pendant ce temps, la 13e Biennale d'Istanbul sera également ouvert pendant le premier jour de la fête de vacances du sacrifice. La biennale restera ouverte jusqu'au 20 octobre Inauguré le 14 septembre avec l'intitulé «Maman, je suis un barbare», une biennale a été vu par 215.000 visiteurs.

mercredi 9 octobre 2013

Haydarpaşa Station exhibit arrives in Vienna

VIENNA hürriet daily news

The exhibtion suggests that railway stations serve an essential function; increasing mobility and linking people and places in an almost seamless fashion.
The exhibtion suggests that railway stations serve an essential function; increasing mobility and linking people and places in an almost seamless fashion.
Within the scope of a project for the preservation of Istanbul’s historic Haydarpaşa Railway Station, the city last year hosted an exhibition featuring the works of 16 Turkish and foreign artists on railway stations.

The second leg of the exhibition, titled “From the Bosphorus to the Danube: Past, Present, Uncertain Future,” opened yesterday at Vienna’s Steiner Gallery. The exhibition, curated by Suzie Pilon and Michael Werbowski, is organized by the Haydarpaşa Preservation Board.

The show marks a cultural event that seeks to raise awareness both in Turkey and internationally about the plight of the great yet endangered (by privatization and neglect) public space. Canadian and Turkish artists, printmakers and photographers are taking part in the show, which aims to collect funds for the Haydarpaşa Station Preservation Project, which - under the auspices of the World Monuments Fund - has been instrumental in advocating for the station’s preservation and restoration.

The theme of the exhibition is to show how art work can be integrated within a public space. It also wishes to demonstrate how the site itself can serve as a meeting and gathering place for the citizenry, while also remaining a fully functional transportation hub and a viable cultural venue.

Information on railway stations

According to the press release, railways stations serve an essential function; increasing mobility and linking people and places in an almost seamless fashion. The railways or train stations naturally also function as points of arrival and departure, and give us a fleeting feeling of “temporary permanence.”
They serve as a bridge between time and space, frontier, and metropolis, inwardness and remoteness, foreign and domestic territory. They are a location meant to be there, or where our diverging and diverse destinies can meet and exchange timeless narratives.

The railways and their transportation hubs such as the classic, modern, or postmodern railway terminals are inalterable or where temporality is only a train timetable. Hence, the railway station is the central locus for exchange; or where we re-invent ourselves in an eternal process of renewal, mutual discovery and constant mobility. This is what makes stations such as Haydarpaşa so vital to our everyday lives and existence.

“From the Bosphorus to the Danube: Past, Present, Uncertain Future” can be seen until Oct. 20.


Haydarpaşa Railway Station


Built by the German-owned Anatolian-Baghdad Railway and designed by architects Otto Ritter and Helmuth Conu, the historic Haydarpaşa Railway Station is an iconic landmark in Istanbul and a symbolic gateway to the city, on its Asian coastline. In January 2012 the station closed to allow for the construction of a high-speed rail line between Istanbul and Ankara. Planning for transportation in the greater region, development of the area around the station is still in its formative stages, and the future use of the station has yet to be determined.     

mardi 8 octobre 2013

12 octobre: conférence sur l'art syrien

A vous qui habitez dans l'Ouest parisien, je me permets de vous faire savoir que je vais faire d'ici peu, à titre gracieux, une conférence sur l'histoire et l'histoire de l'art (donc a-politique) sur la Syrie, afin de faire connaître ce pays mal connu et de drainer... éventuellement  (pas d'obligation !) quelques dons pour des associations caritatives s'occupant de réfugiés syriens.

Si vous êtes disponibles et surtout si vous connaissez des personnes qui pourraient être intéressées, merci de divulguer ma très prochaine intervention dans l'ouest parisien :

le samedi 12 octobre à Chaville, 15 h à l'Atrium (salle de conférence de la Mairie)


 Annick NEVEUX-LECLERC

Borusan Arts and Culture opens season with Güher and Süher Pekinel

ISTANBUL hürriyet daily news

Borusan Istanbul Philharmonic Orchestra celebrates its 15th year this season, the program will also host many foreign guests. A concert series of BIPO and Beethoven Festival will bring all the piano works and sonatas of Rudolf Buchbinder.
Borusan Istanbul Philharmonic Orchestra celebrates its 15th year this season, the program will also host many foreign guests. A concert series of BIPO and Beethoven Festival will bring all the piano works and sonatas of Rudolf Buchbinder.
The Borusan Culture and Arts 2013–2014 season is set to start with a rich program full of concerts. The opening concert of the season will be performed on Oct. 10 by the Pekinel sisters, Güher and Süher, who attracted up to 30,000 people to their 19 concerts last season.

While the Borusan Istanbul Philharmonic Orchestra (BIPO) celebrates its 15th year this season, the program will also host many foreign guests. A concert series of BIPO and Beethoven Festival will bring all the piano works and sonatas of Rudolf Buchbinder to Istanbul. The Borusan Quartet will open the season at Süreyya Opera.

The Borusan Music House will be hosting many different music sounds such as jazz, electronic, classic and world music together in one venue. The music house will continue to host contemporary music projects, and to provide opportunities for young talents to meet their audience and present established names to their dedicated fans.

Speaking at the press conference, Borusan Culture and Arts director Ahmet Erenli said they aimed to bring many artists on stage together during their 15th year.

“A few years ago, the idea of listening to Roberto Alagna in Istanbul was just a dream, but right now we have the opportunity to welcome world musicians and stars,” Erenli said.

World stars meet with BIPO

BIPO conductor and art director Sascha Goetzel will be conducting BİPO for the fifth time and will celebrate the 15th year of the orchestra with works by Beethoven.

Pianists Murray Perahia , Rudolf Buchbinder, and Markus Schirmer; violinists Christian Tetzlaff, Nicola Benedetti, and Leonard Elschenbroich are among the stars of this year’s Borusan Arts and Culture season.

A performance of Wagner’s epic opera cycle Der Ring des Nibelungen will be staged on Nov. 7. Russian piano star Alexei Volodin, and violinist Valeriy Sokolov, who has been given awards such as the Diapason d’Or, will be featured in the performance. Ünüşan Kuloğlu and Tuncay Kurtoğlu will share the stage with BIPO’s honorary conductor, Gürer Aykal for the performance.

Grammy award winner and also the winner of several Gramophone awards, Murray Perahia, will also be on stage at the festival. Perahia has previously recorded a performance Chopin’s études, and Schubert’s late piano sonatas. He is currently editing a new Urtext edition of Beethoven’s piano sonatas.

Besides his solo career, he is active in chamber music and appeared regularly with the Guarneri and Budapest String Quartets. He is also Principal Guest Conductor of the Academy of St Martin in the Fields, with which he records and performs. Since his return during the 2008 BBC Proms season, Perahia has been continually active on the concert scene.

He will be on stage with BIPO on Jan. 16 to play Schumann.

Renowned pianist Alexander Gavrylyuk will play Prokofiev’s 3rd Piano Concerto on Feb. 20.

Valeriy Sokolov will be the guest of BIPO on Feb. 27 and will be playing Prokofiev and Strauss with Gürer Aykal. In recent seasons he has appeared regularly with the Tonhalle Orchester Zürich, the Chamber Orchestra of Europe, the Orchestre National de Bordeaux-Aquitaine, and at the Aspen Festival, and made debuts with the Rotterdam Philharmonic Orchestra, the Die Deutsche Kammerphilharmonie Bremen and the Cleveland Orchestra. Conductors with whom he has worked include David Zinman, Vladimir Ashkenazy, Ivor Bolton and Ludovic Morlot.

Young musicians Nicola Benedetti and Leonard Elschenbroich will also be on stage for BIPO this season.

Leyla Gencer commemoration concert

This year, BIPO’s annual “Leyla Gencer concert” will be a performance of Puccini’s opera “Tosca.” The opera will be staged by Yekta Kara with soprano Maria José Siri, tenor Alex Vicens and baritone Eralp Kıyıcı, on March 20.

One of the best pianists of Austria, Markus Schirmer, will be on stage on March 24 to play Benjamin Britten’s 1st Piano Concerto with guest conductor James Judd. This year BİPO and the Beethoven Festival will also host Christian Tetzlaff , Alexei Volodin, Alois Glassner, the Salzburg Bach Choir, soprano Ruth Ziesak, mezzosoprano Daniela Lehner, tenor Richard Croft and bases David Soar. The festival will also host the Zeynep Tanbay Dans Project who will perform with the Borusan Quartet.


EXCLUSIVE EVENT FOR THE 15TH YEAR



This year, Borusan celebrates its 15th year with famous tenor Roberto Alagna. After winning the Luciano Pavarotti International Voice Competition, an initiative backed by the Italian Ministry of Cultural Heritage and Activities, that started in Modena in 1988, Alagna made his professional debut as Alfredo Germont in La Traviatawith the Glyndebourne touring company. This led to many engagements throughout smaller cities across France and Italy, mainly again as Alfredo, a role he would eventually sing over 150 times. His reputation grew and he was soon invited to sing at major theaters such as La Scala in 1990, Covent Garden in 1992, and the Metropolitan Opera in 1996. His performances of Roméo in Roméo et Juliette by Charles Gounod at Covent Garden in 1994 (opposite Leontina Vaduva) catapulted him to international stardom. In recent years, Alagna has been an advocate of restoring to prominence neglected French operas - Alfano’s “Cyrano de Bergerac,” Massenet’s “Le Jongleur de Notre-Dame,” Lalo’s “Fiesque,” and new works - Vladimir Cosma’s “Marius et Fanny” and his brother David Alagna’s “Le dernier jour d’un condamné.” He has also recorded light music with an homage album to Luis Mariano, Sicilien, and Pasión.

A sultan who loved art: Abdülaziz and painting

ISTANBUL - Anadolu Agency

Currently Dolmabahçe Art Gallery hosts the exhibition ‘Sultan Abdülaziz with paintings’ with the support of the International Culture and Arts Association (UKSD), unveiling 12 unsigaSultanned portraits and paintings by Abdülaziz

Some of the  paintings by Sultan Abdülaziz  at the exhibtion were taken  from Poland  National Museum of Art.  AA photos
Some of the paintings by Sultan Abdülaziz at the exhibtion were taken from Poland National Museum of Art. AA photos
The International Culture and Arts Association (UKSD) presents a new exhibition: “Sultan Abdülaziz with paintings,” which has opened at Dolmabahçe Art Gallery. The opening hosted UKSD president Tuğrul Tuna and Küçükçekmece mayor Aziz Yeniay.

The exhibition consists of 12 unsigned portraits and paintings by Sultan Abdülaziz that belong to the National Palaces Painting collection. The collection had given permission six months earlier and the paintings were bought from Poland’s Krakow National Museum. There are also etchings and sketches by Abdülaziz.

Even though the paintings are unsigned the experts have worked on them and discovered that the sketches matched up with each other. The sketches and also the paintings were produced by Abdülaziz who was also a painter.

Abdülaziz was also known for his love of art and his interest in art. Speaking at the opening of the exhibition, UKSD President Tuna, said they were very happy to organize such an exhibition.

Tuna said the paintings had been bought 6 months before and they were found to match with the other paintings of Abdülaziz in the National Palace Collection.

An exclusive museum for National Collections opened in Istanbul’s Dolmabahçe Museum last year. The museum is home to 43,000 artifacts dating back to the 19th century and exhibits the daily life in the empire’s palaces.



Curator of the ‘Sultan Abdülaziz with paintings,’
exhibtion Mehmet Lütfi Şen (above) says Ottoman
sultans always dealt with art and painting.
Tuna added that there was much research taking place concerning these paintings. Even though they were not signed they were determined to belong to Abdülaziz.

Noting that this was a first in the history of Turkish painting, Tuna said, there were many paintings that were thought to belong to Chlebowski, however they were subsequently found not to. In the years 1864-1876 Chlebowski was master painter for Sultan Abdülaziz and took up residence in Constantinople. It is known that Chlebowski became popular with the Sultanate. During his services, he had obtained permission to bring with him a large Icon of Mother of God Leading our Way, which had been rescued from an Odegon Monastery in 1453. He had come across it in one of the magazines with old relics, unheeded by the Ottoman keeper. This account is certified in a letter by the Comité National Polonais a Constantinople, dated June 27, 1938.

In 1876 he moved to Paris. In 1881 he returned permanently to Krakow. The subject matter of his watercolors and oil paintings is diverse. He painted images of historical battles related to the history of Turkey, oriental genre scenes, landscapes, and portraits of Sultans.

The curator of the exhibition Mehmet Lütfi Şen said Ottoman sultans always dealt with art and painting. “Today we discover a painter after 137 years.”

It is known that Abdülaziz took painting lessons when he was young, said Şen.

“In the past Abdülaziz never signed his own paintings and this is known for sure and we know that he had given his paintings to Polish painter Stanislav Chlebowski, while he was leaving Istanbul,” said Şen, adding that Chlebowski had kept them.

Later on these paintings were unearthed at National Museum of Poland, he added. “The museum has bought these paintings from the painter’s family and added them to their collection and we have traced them and obtained the permissions to display them.”

After we saw the sketches we discovered that these paintings were part of the Abdülaziz paintings because they matched with the national museum collections of Turkey, added Şen, noting that experts also worked on them and discovered that these paintings belonged to Abdülaziz.

Ömer Faruk Şerifoğlu, an art history expert said the oil on canvas paintings belonged to Abdülaziz.

HDN About National Collections


There are 70,000 artifacts in the inventory of the national palaces and among the objects to be displayed in the museum are kitchen tools, dinner sets, textile materials, manuscripts, lightning and heating tools and historical carpets.

Nearly 15,000 artifacts in the inventory can be seen in the museums. The rest is protected in a very modern depot, which has been produced with the latest technology. Researchers, experts and history buffs can see these artifacts.

It is possible to learn about the life of sultans from a book, but those who are curious about their shaving tools, their children’s dresses and their education, can see the answers with their own eyes at the national palaces collection for many experts.


Abdülaziz era and Ottoman Empire

Born at Istanbul’s Eyüp Palace in 1830, Abdülaziz received an Ottoman education but was nevertheless an ardent admirer of the material progress that was made in the West. The Sultan took an interest in documenting the Sultanate. He was also interested in literature and was also a classical music composer. Some of his compositions have been collected in the album “European Music at the Ottoman Court” by the London Academy of Ottoman Court Music. The biggest achievement of Abdülaziz was to modernize the Ottoman Navy. In 1875, the Navy had 21 battleships and 173 warships of other types, ranking as the third largest navy in the world after the British and French navies. He established the first Ottoman railroad network and Sirkeci Train Station in Constantinople, terminus of the Orient Express. Impressed by the museums in London, Paris and Vienna, he established the Istanbul Archaeology Museum. Under Abdülaziz’s reign, Turkey’s first postage stamps were issued in 1863, and The Ottoman Empire joined the Universal Postal Union in 1875 as a founding member. He was made the 756th Knight of the Order of the Garter in 1867 and the 127th Grand Cross of the Order of the Tower and Sword.

Şanghay'da Türk Kültürü Festivali başladı

Çinlilere Türk gelenekleri ve yemekleri tanıtılıyor.

  TRT
Şanghayda Türk Kültürü Festivali başladı
Çin'in Şanghay eyaletinde 2013 Türk Kültür Yılı etkinlikleri çerçevesinde düzenlenen "Turkuaz Türk Kültürü ve Yemekleri Festivali"nde Çinlilere Türk gelenekleri ve yemekleri tanıtıldı. Şanghay Fuar Merkezi'ndeki açılış törenine Çinliler ve bu ülkede yaşayan Türkler yoğun ilgi gösterdi. Kurulan stantlarda, şehirlere ait hat, ebru, çini, telkari, çömlekçilik, lüle taşı oymacılığı, çarıkçılık gibi birçok el sanatının tanıtımı ustaları tarafından yapılıyor. Festivali gezenler Hezarfen Ahmed Çelebi'yi, Hacivat-Karagöz'ü tanıma, Türkiye'nin tarihi ve turistik yerlerine dair bilgi edinme, Türk mutfağından döner, kebap, Türk kahvesi ve baklavaya kadar birçok ürünü tatma imkanı buluyor. Festival 8 Ekim'e kadar sürecek. Festivalde, hediyelik eşya, sergi satış noktaları, firma ve şehir tanıtım stantları da bulunuyor.